Production Experience
Show: Nutcracker for Canyon Concert Ballet; Commissioned Work; Designer: Susan Crabtree; Dimensions: 19'x24'
Show: Nutcracker for Canyon Concert Ballet; Commissioned Work; Designer: Susan Crabtree; Note: Ornament close up
Show: Nutcracker for Canyon Concert Ballet; Commissioned Work; Designer: Susan Crabtree; Note: Star close up
Show: Stones in his Pockets; Position: Charge Artist; Designer: Shawn Irish;
Show: Stones in his Pockets; Position: Charge Artist; Designer: Shawn Irish; Note: Show photo
Show: Stones in his Pockets; Position: Charge Artist; Designer: Shawn Irish; Note: Stone wall carved out of bead foam
Show: Stones in his Pockets; Position: Charge Artist; Designer: Shawn Irish; Note: Stone wall carved out of bead foam. Process Photo side of wall before moss.
Show: Stones in his Pockets; Position: Charge Artist; Designer: Shawn Irish; Note: Stone wall carved out of bead foam. Process photo before grey glaze and moss
Show: Stones in his Pockets; Position: Charge Artist; Designer: Shawn Irish; Note: Stone wall carved out of bead foam. Process photo
Show: Detroit '67; Position: Charge Artist; Designer: Show designed by Baron Pugh, painting designed by Rachel Williams. Note: Black Velvet painted with nova color; Dimensions: 2'x3'
Show: Detroit '67; Position: Charge Artist; Designer: Baron Pugh;
Show: Flex; Position: Charge Artist; Designer: Kim Powers
Show: Flex; Position: Charge Artist; Designer: Kim Powers
Show: Flex; Position: Charge Artist; Designer: Kim Powers
Show: Flex; Position: Charge Artist; Designer: Kim Powers; Note: Process Photo final touch ups. Floor and wall made of masonite.
Show: Flex; Position: Charge Artist; Designer: Kim Powers; Note: Process Photo final touch ups. Floor and made of masonite.
Show: Miss You Like Hell; Position: Charge Artist; Designer: Robin Vest
Show: Miss You Like Hell; Position: Charge Artist; Designer: Robin Vest
Show: Tiger Style; Position: Charge Artist; Designer: Chika Shimizu
Show: Tiger Style; Position: Charge Artist; Designer: Chika Shimizu
Show: Tiger Style; Position: Charge Artist; Designer: Chika Shimizu
Show: The Mountaintop; Position: Charge Artist; Designer: Tanya Orellana
Show: The Mountaintop; Position: Charge Artist; Designer: Tanya Orellana
Show: Marie and Rosetta; Position: Charge Artist; Designer: Shawn Irish
Show: Marie and Rosetta; Position: Charge Artist; Designer: Shawn Irish Note: Process photo of wood grain
Show: Marie and Rosetta; Position: Charge Artist; Designer: Shawn Irish Note: Finished floor
Show: Designing Women; Position: Charge Artist; Designer: Kim Powers Note: Faux granite countertop
Show: Designing Women; Position: Charge Artist; Designer: Kim Powers
Show: Designing Women; Position: Charge Artist; Designer: Kim Powers
Show: Tiny Beautiful Things; Position: Charge Artist; Designer: Edward T. Morris Note: Faux granite countertop
Show: Tiny Beautiful Things; Position: Charge Artist; Designer: Edward T. Morris
Show: American Mariachi; Position: Charge Artist; Designer: Tanya Orellana
Show: Tiny Beautiful Things; Position: Charge Artist; Designer: Edward T. Morris
Show: American Mariachi; Position: Charge Artist; Designer: Tanya Orellana; Note: Faux stained glass is a 4'x4' translucency
Show: American Mariachi; Position: Charge Artist; Designer: Tanya Orellana; Note: Faux stained glass is a 4'x4' translucency
Show: American Mariachi; Position: Charge Artist; Designer: Tanya Orellana; Note: Wall color and texture in work light
Show: American Mariachi; Position: Charge Artist; Designer: Tanya Orellana; Note: Wall color and texture in work light
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: Show photo
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: Final touch up call for Winter Salons in 2021
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: steady work in the shop finishing delicate lining work.
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee;
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: The roof started to leak so painters made a tent over the scrim so that work could continue without endangering the piece.
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: Scrim lit from behind
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: Scrim
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: Close up of the floor
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: overview of the finished floor
Show: Winter Salons; Position: Charge Painter; Designer: Kevin McBee; Note: 20'-0" x 40'-0"
Show: Midsummer Night's Dream; Position: Charge Painter; Designer: Melissa Smith; Painters in photo: Rachel Williams; Note: This is a 40'x60' ground cloth painted with Rosco Off Broadway and wildfire UV reactive paints painted mostly with sprayers.
Show: Midsummer Night's Dream; Position: Charge Painter; Designer: Melissa Smith; Painters in photo: Rachel Williams; Note: This is a 40'x60' ground cloth painted with Rosco Off Broadway and wildfire UV reactive paints.
Show: Midsummer Night's Dream; Position: Charge Painter; Designer: Melissa Smith; Painters in photo: Rachel Williams; Note: This is a close up on one of my favorite spots on the ground cloth.
Show: Midsummer Night's Dream; Position: Charge Painter; Designer: Melissa Smith; Painters in photo: Rachel Williams; Note: Installation of ground cloth in space. The ground cloth had to be patched twice over the course of tech.
Show: La Clemenza Di Tito; Position: Lead Painter; Designer: Nadir Bey; Note: This is the base for my sculpture of a column capitol. Base is made of styrofoam coated in joint compound then aqua resin.
Show: La Clemenza Di Tito; Position: Lead Painter; Designer: Nadir Bey; Note: This is the sculpture of a column capitol with details carved out of automotive clay on top aqua resin coated styrofoam.
Show: La Clemenza Di Tito; Position: Lead Painter; Designer: Nadir Bey; Note: Artist for scale
Show: La Clemenza Di Tito; Position: Lead Painter; Designer: Nadir Bey; Note: this glossy floor was painted by Rachel Williams and Electra Georgiades using oil based black and oil based gloss paints.
Show: La Clemenza Di Tito; Position: Lead Painter; Designer: Nadir Bey; Note: The sculpture I made was used to make a plaster cast and that cast was vaccuformed over to make the plastic shell which was then painted to look gold and installed.
Show: La Clemenza Di Tito; Position: Lead Painter; Designer: Nadir Bey;
Show: Werther; Position: Lead Painter; Designer: Rachel Miller; Note: The entire set was painted with varying shades of living grey. My task as lead painter was to create the floor texture and the fake crabgrass that is pictured here.
Show: Werther; Position: Lead Painter; Designer: Rachel Miller; Note: These are the pieces of moss on a drying rack after being dipped in thinned paint.
Show: Werther; Position: Lead Painter; Designer: Rachel Miller; Note: These are the pieces of raffia grass on a drying rack after being dipped in thinned paint. Then they were cut to proper size and inserted into the silicone base.
Show: Werther; Position: Lead Painter; Designer: Rachel Miller; Note: These are the crabgrass pieces in process.
Show: Werther; Position: Lead Painter; Designer: Rachel Miller; Note: The crabgrass was made with a base of skin safe silicone, fake moss dipped in thinned paint, fake raffia grass dipped in thinned paint. There were well over 300 tufts.
Show: Werther; Position: Lead Painter; Designer: Rachel Miller; Note: The floor texture had to be safe for bare feet so I made it out of elastomeric roof patching, vermiculite, permaset glue, and water to achieve a dirt like appearance that is still soft enough for bare feet and would not cracked when rolled and stored for a long period of time.
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: show picture
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Painters in picture left to right: GraceAnne Miles and Izzie Miller Note: Applying wallpaper inside mobile home.
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: 'Rusted' layer before the sodium silicate and top layer of paint was applied.
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: distressing inside mobile home using texture mixtures and amber shellac.
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: Final distressed look of the mobile home.
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: Adding a waterstain to the inside of the mobile home.
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: Using shellac, sodium silicate, and paint to achieve a cracked paint look.
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: distressing inside mobile home using texture mixtures and amber shellac.
Show: Still Life With Rocket ; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: Aging wood with vinegar and steel wool
Show: Still Life With Rocket; Position: Charge Painter; Designer: Nadir Bey, Taja Seafus, Erin Ashbaugh; Note: finished mobile home with set dressing and artist for scale.
Show: Luna Gale Position: shop hand Designer: Lydia Wyatt
Show: Spring awakening Position: shop hand Designer: Kevin McBee In Picture: Olivia Hill Note: 'Rust' done with sand paint and a dry brush over the top.
Show: Luna Gale Position: shop hand Designer: Lydia Wyatt